Conceptual art has become a way for me to explore deep emotional states through the prism of structural thinking. In my works, I strive to convey the drama of human experiences using the language of forms, colors and materials.

The main method of my creativity is the interaction of various objects and their properties. Often, I find symbols in everyday objects that reflect large-scale philosophical themes and use them to create multi-layered artistic metaphors.

Experimentation is a key aspect of my creative process. I am not limited to the traditional framework of painting, actively using various materials and techniques:

• Working with natural elements (sand in the work "Dingez")

• Textile materials (mouline thread in the project "Memories")

• Creating installations ("The main thing is not to dive deep")

The titles of the works play an important role in my art. They serve as a kind of guide for the viewer, helping to enter the space of the work and create an emotional connection with the presented themes. Each title is not just a label, but a part of an artistic concept that remains in the viewer's memory after deep immersion in the meanings of the works.

The goal of my work is to create a dialogue between the viewer and the work. Through visual images and material objects, I strive to convey the complexity of human experiences, inviting each viewer to their own understanding of the presented topics.

In my works, the heavy depth of thoughts and feelings is balanced by aesthetic appeal, creating a unique experience of perception, where each viewer finds something of their own.